Nodes of Ranvier :: Defined By Struggle


Artist :: Nodes of Ranvier
Album :: Defined by Struggle
Label :: Victory

Play this cut first :: Purpose in Pain (video below)

In a word :: Ready for the big time.

I’ve loosely followed Nodes of Ranvier during the last few years as they have been carving a name for themselves in the growing genre the kids call New Wave of American Heavy Metal (NWOAHM). Like most up-and-comers in that genre, however, they have been defined by blinding fast double-kick triplet riffing, machine gun snares, and gutteral vocals that lose impact by song three … but with a few flashes of absolute brilliance tossed in to keep things interesting. Still, I’ve long had faith in Victory Records to pick up established bands and the right time. With the support Victory could give to Nodes of Ranvier, I was hoping Defined by Struggle would be the album that helped separate these guys from a too-crowded pack.

And it is.

Everything about this album kicks my ass. This is the potential shown in previous efforts brought to a head. The arrangements show a greater sense of balance. The machine gun riffage is still there, but it is tempered by half-time breakdowns, guitar melodies, and razor sharp stops. This level of maturity heightens the impact of everything. The fast parts are faster when juxtaposed against the slower parts. The same goes for the interplay between loud and quiet.

A pleasant surprise on Defined by Struggle is the instrumental, “Nagheenanajar”. Too often guys in this genre rely on bludgeoning listeners with riff after riff. This cut goes through some excellent transitions and really showcases how tight Nodes of Ranvier has become. They got ambitious and totally pulled it off.

The one thing I don’t get, however, is that vocalist, Kyle Benecke can actually sing. I’m not taking American Idol or anything, but the guy could hold is own against the likes of Papa Roach or Finger Eleven. But he rarely sings on the album. It’s a bit of a tease. I’m not looking to be serenaded, but damn, the guy’s got more talent than he’s using. I guess the upside is that, as good – scratch that – as great as Defined by Struggle is, they still have more sonic territory to explore. And that’s a good thing.

Best cuts on the album are :: “Purpose in Pain”, “Sergeant Sorrow”, and “Archegos”

The Bottom Line :: Defined by Struggle sets the bar high, bringing together punks and metalheads for headbanging, fist pumping, scream along fun.


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3 Inches of Blood :: Fire Up The Blades

Artist :: 3 Inches of Blood
Album :: Fire Up the Blades
Label :: Roadrunner

Play This Cut First :: Black Spire

In a Word :: 3 Inches of Blood is 2 Fukkin’ Metal.

Call it throwback. Call it Power Metal. Call it whatever you want, just make sure you listen to it. Come on, they sing about Goats and Forest Kings. How can you not listen to that?

If you have never checked out 3 Inches of Blood in the past, the first thing you will notice is the vocals. Dual vocalists Jamie Hooper and Cam Pipes have uniquely distinct vocal approaches. More often than not, it sounds like a duet between Dani Filth and Jack-Black-doing-a-Rob-Halford imitation. And there is a certain charm to that. Don’t get me wrong, it’s a charm I would totally make fun of if my friends caught me with it, while I secretly wished they’d leave so I could go back to enjoying it – kind of like the smell of sandalwood incense…or Anna Nicole Smith’s fat pictures.

Musically, 3 Inches of Blood sounds a lot like Judas Priest during the Painkiller era. Razor sharp guitars. Unrelenting shrieks. I would have liked some more solos, but who am I to look a gift goat in the mouth? After all, this album does seem to get better as it goes on. Or maybe my expectations kept lowering little by little. Or maybe it’s a combination of both. And maybe that was by design. Whatever the reason, I’ve been listening to this monster of an album pretty much non-stop for days and loving every second of it. And yes, I would totally recommend it. If lyrics about being impervious to fire and impervious to steel don’t scare you off, then you are in a for a special treat. Because, as different and over the top as Fire Up The Blades may sound, it still rocks like a motherfukker without relying solely in speed or cookie monster vocals to intimidate. Throw up some horns and pick up this album.

Best Cuts on the album are :: “Assassins of the Light”, “Black Spire”, and “The Hydra’s Teeth”

Bottom Line :: Refreshingly aggressive, yet strangely refined.


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Machine Head :: The Blackening

Artist :: Machine Head
Album :: The Blackening
Label :: Roadrunner
Play This Cut First :: Wolves

In a word: Dayumn!

When Machine first dropped Burn My Eyes back in ’94, they got some good press, but rock/metal was in a confused state of mind. Grunge was already breathing its final breaths and nu-metal pioneers Korn were ushering in another new sound that would dominate for the ensuing few years. For a band like Machine Head, whose thrash roots were deemed by many to be better late than never, finding a way to promote them was not easy. Still, fans bought the album, making it Roadrunner’s highest selling debut until Slipknot rolled out of the Iowa cornfields.

Since that time, however, Machine Head has continued putting out albums with no shortage of aggression. Some were hits (The Burning Red, From the Ashes of Empires). Some were misses (The More Things Change, Supercharger). With The Blackening, though, they have put all doubts to rest. They have finally joined the upper echelon of metal’s elite. The aggression of Slayer. The angular riffing of Megadeth. The orchestration of Metallica. The gutpunch power of Pantera. In fact, there is so much testosterone on this album, my nuts got bigger just by listening to it! On the very first listen, you get the impression that this is the type of album Metallica would have made in 2007 if they had followed the path they cleared in their first four albums

Featuring four of eight songs all over the nine-minute mark, Machine Head aimed for the epic and succeeded. The most impressive element on the whole album, however, might just be what you don’t hear. Guitarists Rob Flynn and Phil Demmel throw down ridiculously good dueling guitar harmonies that aren’t over the top of layers of guitars, allowing them to pull it of the same way live.

A nod also goes out to Rob Flynn’s vocals. He has always had one of the more flexible voices in metal, allowing him to scream, sing, chant, or whisper, depending on the what the song needed. On The Blackening, his whispers are every bit as dangerous as his screams. When he whispers, it is the sonic equivalent of potential energy, and you don’t know if it is going to explode like it does on “Slanderous” or methodically tear you apart like it does on “A Farewell to Arms”.

Best cuts on the album are: “Wolves,” “Halo,” and “Slanderous”.

Bottom Line: If this album doesn’t make you feel like punching through walls, there is no hope for you.


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